Subject: [removed] Digest V2006 #283
From: [removed]@[removed]
Date: 10/17/2006 4:18 PM
To: [removed]@[removed]

------------------------------


                            The Old-Time Radio Digest!
                              Volume 2006 : Issue 283
                         A Part of the [removed]!
                             [removed]
                                 ISSN: 1533-9289


                                 Today's Topics:

  Show titles                           [ "RadioAZ@[removed]" <radioAZ@bas ]
  The Body Snatchereers                 [ "Frank McGurn" <[removed]@sbcgloba ]
  Script titles                         [ jack and cathy french <otrpiano@ver ]
  10-17 births/deaths                   [ Ronald Sayles <bogusotr@[removed] ]
  Hidden Voices on Radio                [ Ken Greenwald <radio@[removed]; ]
  "We also [removed]"                    [ "Stuart Lubin" <StuartLubin@[removed] ]
  Body Snatchers                        [ ilamfan@[removed] (S Jansen) ]
  Great Gildersleeve                    [ "Jim Murtaugh" <jayeffemm@[removed] ]
  "The Golden Age of Radio" and "A One  [ "Scherago" <rscherago@[removed]; ]
  Maisie                                [ "Don and Kathy Dean" <dxk@ezlinknet ]

------------------------------

Date: Mon, 16 Oct 2006 18:54:16 -0400
From: "RadioAZ@[removed]" <radioAZ@[removed];
To: <[removed]@[removed];
Subject:  Show titles

I'm no expert, but I do have photo copies of several different scripts.  In
looking them over, I find the comedies (Fibber Mc and Gildersleeve) do NOT
have any show title.  But the mysteries (Let George Do It, Suspense) do have
a title typed right on page one.

Ted

------------------------------

Date: Mon, 16 Oct 2006 18:54:28 -0400
From: "Frank McGurn" <[removed]@[removed];
To: "The Old Time Radio Digest" <[removed]@[removed];
Subject:  The Body Snatchereers

Mike Kerezman wanted info. on "TheBody Snatchers". It was done on Suspense
episode #19 on Nov. 24, l942
My notes says "A well written Tale of Old England (1832) at a time when
doctors bought human bodies to experiment on" the author was John Dickson
Carr. A good story.

------------------------------

Date: Mon, 16 Oct 2006 19:26:17 -0400
From: jack and cathy french <otrpiano@[removed];
To: [removed]@[removed]
Subject:  Script titles

On Monday, October 16, 2006, at 04:49 PM, Frank McGurn wrote:

The question to script collectors is, did the author or someone write
on the
script "The Great Gildersleeve"title "Waterworks Break Down" Or another
title "Low Water Pressure" or would it just be labeled  episode #97
10/24/43 ? I assume that the 16" disk would have the same labels.

My script collection isn't that large, but I can provide some
observations on how scripts got, or didn't get, titles, and how these
names apply to our hobby.

To be simplistic, some script had titles and some didn't. Depending on
the series, it could be the decision of the writer, the producer, the
sponsor, etc. Sometimes the title appears only at the top of the first
page, near the broadcast date or episode number.  Other times it was
incorporated into the scripts so the announcer (or the hero-narrator)
would say the title in the introduction, a la "Sam Spade" and
"Adventures of the Abotts."

Jim Shean, who wrote "Bobby Benson," titled every script of his and
usually had the announcer give the title in the introduction. On the
other hand, Monty Masters, who wrote "Candy Matson, YU 2-8209," titled
only his first two scripts and not the remaining 91 shows.

Just as OTR dealers assign titles to newly discovered shows which have
none, OTR researchers (like Stewart Wright and Jack French) have
assigned titles to all of the Candy Matson scripts.

Looking through the scripts in my archives demonstrates:
1)  Soap Operas seldom had titles
2)  Anthologies like "Suspense" and "Escape" usually had titles
3)  Some series made involved titles part of the plot summary, like
"Voyage of the Scarlet Queen"
4)  Variety shows seldom had titles
5)  About half of the juvenile adventure shows had titles, frequently
stated by the announcer
6)  The same script might have a different title if it was done again
on a different series.

Jack French
Editor: RADIO RECALL
[removed]

------------------------------

Date: Mon, 16 Oct 2006 23:10:10 -0400
From: Ronald Sayles <bogusotr@[removed];
To: Olde Tyme Radio Digest Digest <[removed]@[removed];
Subject:  10-17 births/deaths
X-Converted-To-Plain-Text: from multipart/alternative
X-Converted-To-Plain-Text: Alternative section used was text/plain

October 17th births

10-17-1893 - Spring Byington - Colorado Springs, CO - d. 9-7-1971
actor: Lily Ruskin "December Bride"
10-17-1903 - Irene Noblette Ryan - El Paso, TX - d. 4-26-1973
actor: "Tim & Irene Sky Road Show"; "Royal Crown Revue"
10-17-1905 - Jean Arthur - NYC - d. 6-19-1991
actor: "Ford Theatre"; "Lux Radio Theatre"
10-17-1909 - Minnabelle Abbott - Covington, KY - d. 10-9-1981
actor: Mary Sothern "The Life of Mary Sothern"
10-17-1912 - Jack Owens - Tulsa, OK - d. 1-xx-1982
vocalist: Cruising Crooner "The Breakfast Club"; "Tin Pan Alley"
10-17-1914 - Jerry Siegel - Cleveland , OH - d. 1-21-1996
co-creator (with Joe Shuster): "Advs. of Superman"
10-17-1915 - Arthur Miller - NYC - d. 2-10-2005
writer: "Cavalcade of America"; "The Doctor Fights"
10-17-1917 - Marsha Hunt - Chicago, IL
actor: Blanche Bickerson "Charlie McCarthy Show"; "Document A/777"
10-17-1918 - Rita Hayworth - Brooklyn, NY - d. 5-14-1987
actor: "Orson Welles Theatre"; "Screen Guild Theatre"; "Bob Elson on
Board the Century"
10-17-1920 - Montgomery Clift - Omaha, NE - d. 7-23-1966
actor: "Arthur Hopkins Presents"; "Ford Theatre"
10-17-1921 - Tom Poston - Columbus, OH
comedian: "Arthur Godfrey Show"
10-17-1923 - Barney Kessel - Muskogee, OK - d. 5-6-2004
jazz guitarist: "Jubilee"; "One Night Stand"; "Just Jazz"
10-17-1926 - Beverly Garland - Santa Cruz, CA
actor: Worked in radio early in her career
10-17-1926 - Julie Adams - Waterloo, IA
actor: "Lux Radio Theatre"

October 17th deaths

02-01-1904 - S. J. Perelman - NYC - d. 10-17-1979
humorist: "Information, Please"; "Author! Author!"; "Railroad Hour"
02-13-1919 - "Tennessee" Ernie Ford - Bristol, TN - d. 10-17-1991
singer: "Tennessee Ernie Ford Show"
03-03-1902 - Ruby Dandridge - Memphis, TN  - d. 10-17-1987
actor: Mammy Brown "Gallant Heart"; Geranium "Judy Canova Show"
03-28-1915 - Jay Livingston - McDonald, PA - d. 10-17-2001
composer: "Hollywood Calling-George Fisher Interviews"
04-01-1895 - Alberta Hunter - Memphis, Tn - d. 10-17-1984
blues singer: "Jazz at the Simthsonian"
04-10-1902 - Mark Warnow - Monastrischt, Russia - d. 10-17-1949
conductor: "We, the People"; "Your Hit Parade"
05-04-1909 - Ed Max - Georgia - d. 10-17-1980
actor: Mr. Gallagher "Voyage of the Scarlet Queen"
12-11-1911 - Beecher Pete Kirby - Sevierville, TN - d. 10-17-2002
dobro, guitar, banjo player: (Member Smokey Mountain Boys) "Grand Ole
Opry"
xx-xx-1942 - Susan Odin - d. 10-17-1975
actor: "Elizabeth Sharon Ann Barbour "One Man's Family"
xx-xx-xxxx - Arthur Hale - d. 10-17-1971
announcer, newscaster: "Confidentially Yours"; "The Richfield Reporter"

Ron Sayles
Milwaukee, Wisconsin

  *** This message was altered by the server, and may not appear ***
  ***                  as the sender intended.                   ***

------------------------------

Date: Tue, 17 Oct 2006 09:23:04 -0400
From: Ken Greenwald <radio@[removed];
To: [removed]@[removed]
Subject:  Hidden Voices on Radio

Martin Grams, Jr. mentioned that Ginny Simms was the Auto-Lite
operator at the end of Suspense.
That jogged my memory a bit. As follows:
During the Golden Age of Radio, the networks would hire announcers
and radio actors whose job was to do similar things, just as Ginny
Simms did the voice of the special Auto-Lite phone operator. Though I
do not recall the names of those who were hired for this service,
there were different announcers/actors who did service such as simply
saying "This is NBC, the National Broadcasting Company." Or, "This is
the Mutual-Don Lee Network." in between each half hour show.
The point is --- many of those who were hired by the networks (or
radio shows) were hired to ONLY do that job. Not act, not play any
part, just simply to say things like "This is NBC --- " or "For the
watch of a lifetime, buy Bulova. That's B-U-L-O-V-A. (pause) Time now
for Life with Luigi."
That's all they did, that's all they were hired for. Some staff
announcers would work all day saying "This is The Columbia
Broadcasting System." and only occasionally get a 10 second
commercial to air between radio broadcasts.
It's amazing, AND they were paid well!
Here's my final point on all this ---
Now, radio is dead as a dramatic/comedic medium. BUT, there is a
clause in the present day AFTRA contract that is a left over from the
old radio days . And it states that anyone who is hired to give a
network cue must be paid separately, if they are not a part of the tv
program.
I know this because a friend of mine, Corrie Burton, was hired to
substitute for an NBC network announcer. All Corrie had to do was
say, in between each tv show, on the half hour or hour (depending on
the length of the show): "This is NBC, The National Broadcasting
Company." He did this two times a day, for only one week -- and for
this he got paid $5,000!
Wow! Times certainly have changed.
Ken Greenwald

------------------------------

Date: Tue, 17 Oct 2006 09:23:33 -0400
From: "Stuart Lubin" <StuartLubin@[removed];
To: "Old Time Radio Digest" <[removed]@[removed];
Subject:  "We also [removed]"

Thanks to Craig for bringing us the words of one of OTR's best friends, the
warm, multi-talented Hal Stone.  I have missed his postings in the Digest of
late, and I am so happy that he is well and will be joining you lucky people
in Newark.

I say "you lucky people" because I will not be able to make Newark this
year.  I will never forget everyone I met there last year.  Hal, sorry you
have had computer trouble.  Join the club, at least MY club.

Stuart

------------------------------

Date: Tue, 17 Oct 2006 12:20:01 -0400
From: ilamfan@[removed] (S Jansen)
To: [removed]@[removed] (OTR Bulletin Board)
Subject:  Body Snatchers

I am looking to listen Old Time Radio adaptation of the Robert Louis
Stevenson story "The Body Snatcher". I know this has been done
a number times on Old Time radio including Suspense. I was wondering which
version(s) dramatized that were most faithful to the original story by
Robert Louis Stevenson.

If I'm not mistaken, the excellent 1980's CBC series "Nightfall" did an
adaptation of "The Body Snatchers" - quite a chilling show, very well done as
I recall.  I haven't read the original story, so I don't know how faithful it
was, but it sure was GOOD!  [removed] - Aug 29, 1980
was the broadcast date.

A nice site for Nightfall info:

[removed]

Stephen Jansen

--
Old Time Radio never dies - it just changes formats!

------------------------------

Date: Tue, 17 Oct 2006 14:15:31 -0400
From: "Jim Murtaugh" <jayeffemm@[removed];
To: [removed]@[removed]
Subject:  Great Gildersleeve

Hello to all!

I am a fan of the Great Gildersleeve, and recently I downloaded a show from
the news groups whose title I didn't recognize.  It was called "The Opera
Committee" and its length was a little over 13 minutes.  The commercials
were omitted and the show only had a date of 1954.  At the end of the show,
Williard Waterman says tune in tomorrow night for the Great Gildersleeve,
"Opening Night of the Opera".

My question is this:  "Was Gildersleeve changed to a nightly series?"  I
checked Jerry's log, but it only lists the show as a half hour, with the run
ending in the spring of 1954.

Thanks for any help you can provide.

Jim Murtaugh

------------------------------

Date: Tue, 17 Oct 2006 14:16:06 -0400
From: "Scherago" <rscherago@[removed];
To: "Old Time Radio" <[removed]@[removed];
Subject:  "The Golden Age of Radio" and "A One Night
 Stand with the Big Bands."

The latest "Golden Age of Radio" programs with Dick Bertel
and Ed Corcoran, and "A One Night Stand with the Big Bands"
with Arnold Dean can be heard at [removed].

Each week we feature three complete shows in MP3 format
for your listening pleasure or for downloading; two "Golden
Age of Radios" and one "One Night Stand." We present new
shows every week or so. The current three programs will be
available on line at least until the morning of October 24, 2006.

Program 3 - June, 1970 - Jack Bishop

Jack Bishop was a Network Radio research writer and the
creator of Mr. District Attorney.

Mr. District Attorney was first heard on NBC radio on April
3, 1939. It began as a nightly 15-minute serial broadcast.
Thomas E. Dewey, New York's famous racket-busting
district attorney in the late 1930s, was the inspiration for the
character. Ed Byron, once a radio script writer, was in the
process of developing his own radio production when District
Attorney Dewey was making headlines. Byron, motivated by
Dewey's activities, decided to develop the Mr. District
Attorney character and to write shows around the headlines.
The program began with Dwight Weist playing the unnamed
district attorney who was a vigorous prosecutor of criminals.
In the opening episode, the [removed] had just been elected after a
tough campaign against racketeers. His sidekick, Harrington
(who was never given a first name), and his secretary, Miss
Miller, always called him "Chief" or "Boss". Throughout the
network run, the [removed] remained nameless.

Program 4 - July, 1970 - Peg Lynch and Margaret Hamilton

Peg Lynch is a radio pioneer - some call her the "Lady Who
Invented Sitcom." Her warm, fast and funny creation, Ethel &
Albert -- the everyday life of an average middle-class couple
living in small-town America -- became one of the country's
most popular husband-and-wife comedies from the day it was
first heard in 1938. Starting as a three-minute filler between the
Women's Hour and the weather, it zoomed from a small radio
station in Minnesota to ABC in New York, where it was
expanded to 15 minutes and later to a half hour. From 1963
to 1965, it reprised its original three-minute format on NBC
Radio Monitor. It was revived as a syndicated radio feature
in the mid-70s as The Little Things in Life.

Margaret Hamilton played Aunt Effie on "Ethel and Albert."
A kindergarten teacher in her native Cleveland, Ms. Hamilton
began her acting career there in community theater and with
the prestigious Cleveland Playhouse. Her most famous film
assignment was the dual role of Elvira Gulch and the Wicked
Witch of the West in the imperishable 1939 gem The Wizard
of Oz -- a role which nearly cost her her life when her green
copper makeup caught fire during one of her "disappearance"
scenes.

"A One Night Stand with the Big Bands" With Arnold Dean

Program 4 - July, 1971 - Bob Eberly

Popular big band singer Bob Eberly spent much of his career
with Jimmy Dorsey's orchestra. His younger brother, Ray Eberle,
sang with Glenn Miller and later led his own band.

In his early days, Bob, who changed the spelling of his last name
because the announcer of the Milton Berle radio show kept
mispronouncing it, gained prominence by winning the ''Allen
Amateur Hour'' on Fred Allen's radio show. He began his
professional career singing in clubs around his hometown of
Hoosick Falls, in upstate New York, where the Dorsey Brothers
discovered him and later hired him to replaced the departing
Bob Crosby.

Eberly started work in the spring of 1935, just before Tommy
walked out on the orchestra. He stayed with Jimmy for eight
years and became one of the top male vocalists of his day,
rivaling Bing Crosby and later Frank Sinatra for that title.

In the 1970's WTIC decided that there was a market in
the evening for long-form shows that could be packaged
and sold to sponsors. Two of those shows were "The
Golden Age of Radio" and "A One Night Stand with the
Big Bands."

Dick Bertel had interviewed radio collector-historian
Ed Corcoran several times on his radio and TV shows,
and thought a regular monthly show featuring interviews
with actors, writers, producers, engineers and musicians
from radio's early days might be interesting. "The Golden
Age of Radio" was first broadcast in April, 1970; Ed was
Dick's co-host. It lasted seven years. "The Golden Age
of Radio" can also be heard Saturday nights on Walden
Hughes's program on Radio Yesteryear.

Arnold Dean began his love affair with the big band
era in his pre-teen years and his decision to study
the clarinet was inspired by the style of Artie Shaw.
When he joined WTIC in 1965 he hosted a daily program
of big band music. In 1971, encouraged by the success
of his daily program and "The Golden Age of Radio"
series, he began monthly shows featuring interviews
with the band leaders, sidemen, agents, jazz reporters,
etc. who made major contributions to one of the great
eras of music history.

Bob Scherago
Webmaster

------------------------------

Date: Tue, 17 Oct 2006 14:17:15 -0400
From: "Don and Kathy Dean" <dxk@[removed];
To: <[removed]@[removed];
Subject:  Maisie

Hi Gang;

I've been out of town for a couple of weeks and just getting caught up
on all the Digest's. There has been a lot of discussion of
Ann Southern in her role of Maisie on radio & TV. Turner Classic
Movies still play these from time to time. This past August 24th they
featured 24 hours of Ann Southern movies from 6am Thursday till
6am Friday. A lot of her Maisie movies were featured - Maisie from
1939 -  Congo Maisie from 1940 - Maisie Gets Her Man from 1942
- Maisie Was A Lady from 1941 - Maisie Goes To Reno from 1944.
In August the past few years TCM have what they call Summer Under
The Stars in which movie stars are featured each day of the month for
24 hours.

In November these OTR related features will be showing.
Saturday Nov. 4 - 10am  -  SUPERMAN chapters 6 - 10 from 1948
Saturday Nov. 11 - 10am - SUPERMAN chapters 11 -15 from 1948
Saturday Nov. 18 - 10am - ATOM MAN VS. SUPERMAN - chapters 1-4 (1950)
Saturday Nov. 25 - 10am -      "
     "                    -   "        5-8   (1950)
Monday Nov. 6 - 5am - HEAVENLY DAYS (1944) Fibber McGee & Molly movie
Monday Nov. 6 - 6:15am - SO THIS IS WASHINGTON (1942) Lum & Abner movie

On the TCM website you can see what's showing for the next 3 months.

Don Dean - N8IOJ

--------------------------------
End of [removed] Digest V2006 Issue #283
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