Subject: [removed] Digest V01 #203
From: <[removed]@[removed]>
Date: 6/24/2001 11:38 PM
To: <[removed]@[removed];

------------------------------


                      The Old-Time Radio Digest!
                         Volume 01 : Issue 203
                   A Part of the [removed]!
                           ISSN: 1533-9289


                           Today's Topics:

 I Love a Mystery Continued           ["Mike Kerezman" <philipmarlowe@eart]
 Unmasked                             [otrbuff@[removed]                   ]
 Drag Net and marriage!               [Larry Gassman <lgassman@[removed]]
 what makes a "great" entertainer and [Jer51473@[removed]                   ]
 WOW!  I've struck gold!              [hal stone <dualxtwo@[removed];    ]
 Copyright search                     [Jim Widner <jwidner@[removed];       ]
 Al Jolson on radio                   [lawrence albert <albertlarry@yahoo.]
 Belated Book Review -- Collecting To ["Stephen A Kallis, Jr." <skallisjr@]
 Miss Kitty                           ["Lois Culver" <lois@[removed];  ]
 Long-Ago Newspaper Clippings         ["Lois Culver" <lois@[removed];  ]
 Jack Benny and Fred Allen            [Partridge <rpartrid@[removed];     ]
 Re: Gunsmoke (and Dragnet)           ["Michael Hayde" <mmeajv@[removed]]
 Re:  Teresa Brewer                   [RadioCM25@[removed]                  ]
 Archie at Haverhill High             [Osborneam@[removed]                  ]
 Errol Flynn                          [Harry Bartell <bartell@[removed]]
 Re: Our Yukon land claims            [John Mayer <mayer@[removed];        ]
 Disk-cussion                         ["Stephen A Kallis, Jr." <skallisjr@]
 Calling Red Lantern ....             ["Stephen A Kallis, Jr." <skallisjr@]
 Old-Time Newspaper Clippings         ["Lois Culver" <lois@[removed];  ]
 Re: I Love A Mystery                 ["Jeff Oransky" <oransky@[removed];  ]
 Not Guilty!                          ["Stephen A Kallis, Jr." <skallisjr@]

------------------------------

Date: Sun, 24 Jun 2001 13:55:43 -0400
From: "Mike Kerezman" <philipmarlowe@[removed];
To: "Old Time Digest" <[removed]@[removed];
Subject:  I Love a Mystery Continued

Thank You everyone for the emails on the "Temple of the Vampires". I am
still puzzled about the version I have the 15 episode version. As I
indicated the version I have I purchased from Carl Freolich, Jr. It came
with a program sheet containing written episode summaries. This version says
episodes only 9,10, and 13 are missing.

The written epside summaries for missing episode in my 15 episode version.
Can someone who knows tell me the differences from 20 episode version.

Sincerely
Mike Kerezman

Miising Episode Summaries from 15 Episode Version:

Ep 9 & 10
-----------

Our fiends rescue Hermie from the cluthches of the Vampire Priestess. But in
the meantime, Sunny disappears, kidnapped by Manuel, the Vampire High
Priest. While Reggie stands guard over Hermie, and the captured Vampire
Priestess, on a ledge fifty feet above the temple floor, Jack and Doc swing
across ropes to the other side of the temple tto look for Sunny. In their
search they walk into a trap set by Manuel. The pair with a bit of strategy,
overpower Manuel, tie him up and release Sunny. When Sunny learns that the
only way to get off the ledge is to swing out over the fifty feet up in the
air on a rope to the opposite ledge , she becomes hysterical with fear and
loses consciousness.

Ep. 13
-------

Jack and Doc manage to reach the upper rafters in theceiling of the temple
of the temple. They cross the rafters and are able to climb down the inside
wall. Meanwhile fearing that all would be crushed in the earthquake, Reggie
frees his captives and rushes Sunny and Hermie from the Temple. Just as Jack
and Doc rejoin the others on the steps of the Temple, a second earthquake
occurs. As our friends rush down the path away from the temple, the great
cathedral crumbles and tumbles in on itself, burying everything that
remained inside beneath millions of tons of rubble.

------------------------------

Date: Sun, 24 Jun 2001 13:55:49 -0400
From: otrbuff@[removed]
To: [removed]@[removed]
Subject:  Unmasked

The Cracker Barrel Old Country Store chain distributes a 40-page catalog
four times a year marketing its wares along with tidbits of trivia you
might expect to find in a Farmer's Almanac.  In the summer issue
currently at a cash register near you a couple of pages are devoted to
the stores' Radio Classics cassettes and specifically to The Lone Ranger.
 "Real Lone Ranger Fans Know What His Mask Is Made Of" says the
intriguing copy.  Then it proceeds to answer that statement:  "The mask
is made from his dead brother's clothes."  You learn something every day
. . . I had missed that.

Recalling when I was a youngster and heard Fred Foy tell me that I could
order a mask "just like the Lone Ranger wears" and the great anticipation
in waiting for that premium to arrive . . . and finally it did arrive and
I was a little surprised to see that my boyhood hero was himself wearing
a slick polished black plastic job with little more than a thin black
rubber band to hold it around his head, but I thought:  What the heck!  I
can wear it if he can!

Now, in light of the new information from the Cracker Barrel, I'm
wondering if TLR's sibling wore polished black plastic tights . . . or
perhaps underwear.  Just guessing.

Jim Cox

------------------------------

Date: Sun, 24 Jun 2001 13:55:54 -0400
From: Larry Gassman <lgassman@[removed];
To: [removed]@[removed]
Subject:  Drag Net and marriage!

What do those 2 topics have to do with one another?
Nothing!  But I thought some of you might be interested in both.
1.
Eric Cooper wrote and asked about stores which will carry the new Drag Net
book.
Michael J. Hayde wrote:

To answer your question: Yes, my book should be available at these stores
within the next couple of weeks.  It can already be pre-ordered from their
on-line services, [removed] and [removed]  If your local bookstore doesn't
have it, please ask them to order it.

2.
Many of my radio performer friends who read this as well as those who have
attended past SPERDVAC conventions will remember Melinda Johnson.  She and
her guide dog Davina were at our last 2 conventions.
On June 17, I proposed to her and she said yes.  We are planning a wedding
for October of 2002.
We both have a lot of cleaning and consolidation to do between now and then.
John will still be here at our home in Whittier, but when he moves away, we
will definitely have to deal with what to do with and where to store 20,000
radio shows.
My apologies for not calling many of my friends personally, and I will
still try to do so, but working and commuting 13 hours a day makes it
almost impossible to do anything during the week, except work, eat, and  sleep.
In fact, I don't remember the last time I actually posted three times in 2
days on this digest.
Larry Gassman

------------------------------

Date: Sun, 24 Jun 2001 13:55:57 -0400
From: Jer51473@[removed]
To: [removed]@[removed]
Subject:  what makes a "great" entertainer and who were
 they?

 I say who were they because in my mind there are none active today. But
thats just my opinion and I am old and biased in favor of entertainers from
past generations. My point is that "great" seems to me to be in the eyes of
the public at the time that performer is performing and its acceptance and
demand for him/her. Im 64 and when I think of "great" the three names that
jump into my mind first, in no certain order, are Crosby, Jolson, and Presley
followed closely by Hope and Sinatra. There were many other great ones imo
but I will not try to mention them all, but these three stood out in MY mind.
This does not mean they were my favorites or the most talented, but that they
rose to the top and stayed there for years and years and their
accomplishments were virtually unmatched. These people were household names,
not only in this country, but all over the world. Now, what made them what
they were? Talent played a big part, of course, as did pr work, especially in
the case of Presley, but their public personalities and images were probably
even more responsible. Imo there was never a greater singer than Perry Como
or better movie actor than John Wayne, but I consider them one dementional
(sp?) when thinking of them as entertainers. It would be interesting to read
what the greatest means to some of you and who would you consider to be the
greatest, not your favorites, but the greatest.

------------------------------

Date: Sun, 24 Jun 2001 13:56:00 -0400
From: hal stone <dualxtwo@[removed];
To: <[removed]@[removed];
Subject:  WOW!  I've struck gold!

To "Treasure Mountain"

What an apt name. Maybe I've found the Mother Lode. Fate sure does work in
mysterious ways.

In response to a posting asking if I received compensation for subsequent
sales of "Archie Andrews" Program recordings, I made the following
statement.

Will, back in them thar days, the concept of residuals was nonexistent.
One was paid for doing the show, and that's all she wrote.

To which, "Treasure Mountain" just posted a follow up question:

Did you contract to perform in a recording as well as a broadcast?  If
not, and especially if the original employment contracts forbad or
limited use of recordings (or rebroadcasts, as network union contracts
apparently did), then it would appear that the claimed owners of these
shows have no more right to market them without your consent than
they do if the shows contain underlying copyrighted works (such as
copyright-protected original short stories, plays, movies, or music).

Yipee! Guess what "Treasure" (May I call you by your first name?). I have in
my hot little (and trembling with excitement) hands a signed copy of a
contract between myself and the National Broadcasting Company. The contract
is dated June 20, 1946. (My how time flies. This piece of paper is 55 years
old)

These Contracts were usually for 15 week periods, and renewable at NBC's
option. (Obviously, renewed many time over, since the show was on for such a
long period of time.)

YOU'LL NEVER BELIEVE WHAT ARTICLE 10 OF THE CONTRACT STIPULATES ???? And I
quote verbatim.

"You authorize us to make and use and license the use of off-the-line
recordings of your performance hereunder but only for sales promotion and
reference and filing purposes".

Okay, all you incredible historians out there. Can you tell me the
following?

Of the recordings of whatever "Archie" shows exist, do any of the program
dates fall between June 28, 1945 through Sept. 28, 1946?

(This Contract also refers to the termination of earlier similar contracts
from 1945 that were to be superceded by this one).

Next question. Does anyone out there know who currently owns the "Rights" to
the "Archie" program.

Mr Amari. By any coincidence, do you owe me any money?  :)

"Treasure Mountain", whoever you areŠ you quite likely have stirred up a
proverbial "Hornets Nest".

Have fun with this one Folks.

Hal(Harlan)Stone
"Jughead"

------------------------------

Date: Sun, 24 Jun 2001 13:56:03 -0400
From: Jim Widner <jwidner@[removed];
To: [removed]@[removed]
Subject:  Copyright search

If anyone is interested in doing an on-line copyright search at the Library
of Congress, you can go to:

[removed]

You will be able to search in three major categories: serials, documents,
and registered works such as films, music, software, and works of art.

I did find the biggies such as Amos 'n' Andy, Tales of the Texas Rangers,
Lone Ranger for radio programs. But nothing under MediaBay, Radio Spirits
or Carl Amari. But then this is copyright, not license.


Jim Widner
jwidner@[removed]

------------------------------

Date: Sun, 24 Jun 2001 13:56:08 -0400
From: lawrence albert <albertlarry@[removed];
To: [removed]@[removed]
Subject:  Al Jolson on radio

Jolson was the host of at least three OTR variety
shows. He hosted the THE KRAFT MUSIC twice, in the
30's and late 40's. Also in the 30's he was the host
on SHELL CHATEAU (sp) and THE LIFEBOUY PROGRAM. After
the release of the film THE JOLSON STORY he was a
frequent quest on many shows, so many in fact it
sparked one person to ask him why he didn't get his
own show, to which Jolie is said to have replied,
"What, and only be on once a week!"

------------------------------

Date: Sun, 24 Jun 2001 13:56:09 -0400
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  Belated Book Review -- Collecting Today For
 Tomorrow

I recently picked up a copy of an out-of-print book of some OTR interest.
 Collecting Today For Tomorrow, by David Alan Herzog (Arco Publishing,
1980, ISBN 0-668-04717-8) is a 128-page hardcover book devoted to radio
premiums.  [There is also a trade paperback edition, also out of print.]
The book is organized into seven chapters.  The first covers the idea of
premiums; the second, premiums of cowboy-related programs, from Tom Mix
to Sky King; the third on other heroes, including Superman, Captain
Midnight, and Sgt. Preston; the fourth, Buck Rogers; the fifth, a "mixed
bag," including Orphan Annie, Jack Armstrong, Dick Tracy, and Space
Patrol; the sixth, a[n obsolete] price guide; and finally, some thoughts
on nonOTR future collectibles.

This makes an interesting supplement to the price guides of TomTumbusch
and/or Ted Hake, but doesn't work very well as a primary reference
source.  One of its highpoints is that it's liberally sprinkled with
photographs -- monochrome to be sure.  They are fine-screened, providing
good detail of the items.

However, some of the content is flip and/or questionable.  For instance,
in the discussion of the Captain Midnight Code-O-Graphs, the author
notes,

"Captain Midnight became so popular that even the government of the
United States took an interest in the program as a positive force for
morale on the home front.  Sheet brass was quite scarce in 1942, yet the
Government allocated enough to permit the manufacture of the beautifully
designed Photomatic Code-O-Graph Decoder Badge."

Nice story, but as I understand it, 1942 Code-O-Graphs were primarily
manufactured in 1941, before the Pearl Harbor attack.  Although I'd love
to believe the story, if this had been accurate, then there would have
been 1943 and 1944 models of the Code-O-Graph, and there weren't.  The
reason was that there _was_ a shortage of critical materials, and the
Wander Company didn't want to make Code-O-Graphs out of paper (the Little
Orphan Annie did just that with their "decoders").  Further, the next
Code-O-Graph, the 1945 model, wasn't made of brass: it was made of sheet
steel covered with gilt paint.

Some of the writing is a bit flip.  Speaking of a statement in a manual,
Herzog writes,

"Wowee!  Now wasn't that super?  You might even say, 'Gee Whiz!, if you
are prone to injudicious use of expletives."

Rather ironically, the greatest value of the book is in its exact
quotation of some of the instructions that came with the premiums.  For
instance, one citation is detailed instructions on hows to use a Tom Mix
Six-Gun Decoder Badge, which isn't easily available elsewhere.

As with the Tumbusch book, it also includes some discussion of items that
were not radio premiums, but relate to OTR characters, such as a Lone
Ranger lunch box and Buck Rogers ray guns.  For the most part, though, it
sticks to its subject.

It has a price guide, but it's extremely out of date.  For instance, he
lists a mint Mystic Sun God Ring at $[removed]; one went on eBay for more
than $1,200 not so long ago.  Also, he does have some dates wrong:
staying with the Mystic Sun God Ring for a moment, he identifies it as a
1945 item.  Actually, it was a 1946 premium (I know: I got one then).

Nevertheless, it's not a bad little book.  It just shouldn't be a primary
reference.

Stephen A. Kallis, Jr.

------------------------------

Date: Sun, 24 Jun 2001 15:29:19 -0400
From: "Lois Culver" <lois@[removed];
To: "OTR Digest" <[removed]@[removed];
Subject:  Miss Kitty

Harry Machin, Jr. notes, regarding Kitty's profession in the radio Gunsmoke
show:
On the topic of prostitution in Dodge City (Gunsmoke), I never heard
any radio episode that indicated Kitty was "for hire."

Certainly not, [removed] censors would have jumped on that one in a
hurry!Radio was not like the later [removed] that breathed of
"off-color" was blue-penciled.

Lois Culver
KWLK Radio (Mutual) Longview, WA 1941-44
KFI Radio (NBC) Los Angeles CA 1945-47, 50-53
Widow of Howard Culver, actor

------------------------------

Date: Sun, 24 Jun 2001 15:29:17 -0400
From: "Lois Culver" <lois@[removed];
To: "OTR Digest" <[removed]@[removed];
Subject:  Long-Ago Newspaper Clippings

Citizen-News (Hollywood), Friday May 12, 1944:

RADIO - by Zuma Palmer
Andy Devine, who has been guest on many radio shows, will have his own
series beginning tomorrow at 8 [removed] over KFI.  With him on "Musical Roundup"
will be the Sons of the Pioneers"...."Dark Error" by Sid Singer will be
narrated at 9:55 over KNX by Howard Culver.

Lois Culver

------------------------------

Date: Sun, 24 Jun 2001 15:29:15 -0400
From: Partridge <rpartrid@[removed];
To: [removed]@[removed]
Subject:  Jack Benny and Fred Allen

I was a fan of both these comedians when they were on the air - I often though
Fred Allen was funnier and more creative. However, for me at least the
passage of
time has elevated Jack Benny and reduced Fred Allen to a misty memory. My
question
why has Jack endured  while Fred has largely been forgotten. I'm often in awe
of
the knowledge displayed by the correspondents and I was curious to get their
opinions.

J. Partridge  rpartrid@[removed]

-

------------------------------

Date: Mon, 25 Jun 2001 01:30:34 -0400
From: "Michael Hayde" <mmeajv@[removed];
To: [removed]@[removed]
Subject:  Re: Gunsmoke (and Dragnet)

In my opinion, something else sets "Gunsmoke" apart.  The supporting
players formed a solid, cohesive repertory company.  While not appearing in
all of the shows, Harry Bartell, John Dehner, Lawrence Dobkin, Vic Perrin,
and others, returned time and again in different roles, sometimes playing
the villain, sometimes playing the victim, but always believable in
whatever assignment they were given.

This was also true of "Dragnet."  Jack Webb's "company" also included
Bartell and Perrin, "Gunsmoke" stalwarts like Virginia Gregg and Georgia
Ellis, and several others.  I believe the comments above can easily apply to
"Dragnet" (and probably a few other shows as well).

Of course, when Webb carried this idea over to television, he was eventually
raked over the coals.  But it never mattered to me how many times Virginia
Gregg turned up - she was ALWAYS great!

------------------------------

Date: Mon, 25 Jun 2001 01:30:29 -0400
From: RadioCM25@[removed]
To: [removed]@[removed]
Subject:  Re:  Teresa Brewer

On one tape (and I still may have it here somewhere) Teresa was in appearance
on Major Bowes Amateur Hour.  I think she was about 12 then, and in an
interview with Major Bowes, she ecstatically was thinking how great it would
be to go to New York (I believe).  It was good tape, but, like so many, hard
to retrieve if you really wanted to hear it again.
Chick Meyerson, a Brewer & Judy Garland fan

------------------------------

Date: Mon, 25 Jun 2001 01:30:31 -0400
From: Osborneam@[removed]
To: [removed]@[removed]
Subject:  Archie at Haverhill High

Hal Stone writes:
<<> Bob Montana (1920-1975), in 1941, created the "Archie Comic Strip"
depicting his days as a student at Haverhill High School (HHS). Montana was
a
member of HHS class of 1939. HHS is called Riverdale High in the comics
presumably because of the influence of the Merrimack River.
"The Thinker" stills sits outside at HHS's front entrance. The main
characters, Archie, Jughead, Betty, Veronica and Reggie are all based on
Montana's real-life friends at HHS and their teenage adventures.

This has always been amazing to me.  I only learned the above within the
past several years, and yet I spent all my high school years at good old
Haverhill High, and walking past the statue of The Thinker.  Amazing.  Must
have been one of the best-kept secrets of HHS back in the 60s when I was
there!

Arlene Osborne

------------------------------

Date: Mon, 25 Jun 2001 01:31:38 -0400
From: Harry Bartell <bartell@[removed];
To: [removed]@[removed]
Subject:  Errol Flynn

  If we are going to talk about Errol Flynn on radio, let's not forget
The Modern Adventures of Casanova, a fairly dreadful  series in 1952.

I still remember Errol sitting at his table with the ever-present glass
of "water" at hand and an attendant standing by in case the glass got
empty.

Harry Bartell

------------------------------

Date: Mon, 25 Jun 2001 01:30:32 -0400
From: John Mayer <mayer@[removed];
To: [removed]@[removed]
Subject:  Re: Our Yukon land claims

Gary <garysteinweg@[removed]; reminisced:

I collected [removed] wish I had them now.

I seem to recall they were collected into a book a few years back; might
find it on e-Bay. They were actually full of very useful woods lore, and
helped to give descendants of immigrants an appreciation for the wisdom
of native peoples.

I also owned several square inches of land in Canada

Appropriately, the deed was for a square inch of land in the Yukon. I
don't know how we were to stake claim, since, as I recall, no boundaries
were specified in the deed. Anyhow, all rights to the land were lost, I
understand, because we all failed to keep up the taxes we owed on our
square inches, to the crown. It would be amusing if there were one
exception who could some day step forward with his paid-up one-inch deed
and stop Wal-Mart from building a strip mall in the Yukon wilderness.

There was an amusing Uncle Scrooge story shortly after this promotion,
in which Uncle Scrooge goes to the Yukon to somehow develop his square
inch.

Though the land is gone, the deeds are not without value. Last I heard
they were going for around $20.

------------------------------

Date: Mon, 25 Jun 2001 01:31:40 -0400
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  Disk-cussion

"Treasure Mountain," speaking of OTR show performers, notes,

The participants were hired to make _broadcasts_, not recordings. <<

Well .... but the broadcasts, in most cases, _were_ recordings, as in
transcriptions. I don't know that in those days there was a clear
distinction.

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 25 Jun 2001 01:32:00 -0400
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  Calling Red Lantern ....

Gary Stein, reminiscing about radio premiums, says,

I also owned several square inches of land in Canada (or Alaska, I
can't remember which) which was a give-away gimmic by Nabisco around that
same time for the Sgt Preston of the Yukon Mounted Police radio program.
That's lost too, I'm afraid.

Well, the deeds for the land (it was in Canada: why would a Mountie sell
[removed] land?) have been declared invalid.  It seems that the only way to
retain ownership would have been to work the land.  A pretty tough thing
to do with only a square inch, particularly without trespassing on
neighborhood plots.

But this raises the whole specter of Lost Radio Premiums.  The only ones
I remember where they went was when my mother somehow talked me into
giving away my first set of Code-O-Graphs when we moved to Japan.  To
this day, I can't remember how she managed, but that's another story.
Outside of that, I had a bunch.  Some were lost in moves (the
Pep/Superman Walky-Talky [sic], the Buck Rogers Ring of Saturn, the Atom
Bomb Ring, and the Dobie County Sheriff's Badge with built-in siren were
all casualties).  Some were just lost.

Stephen A. Kallis, Jr.

------------------------------

Date: Mon, 25 Jun 2001 01:32:44 -0400
From: "Lois Culver" <lois@[removed];
To: "OTR Digest" <[removed]@[removed];
Subject:  Old-Time Newspaper Clippings

DAILY VARIETY
Tues, May 2, 1944
Coast Radio Reviews

LADY OF THE PRESS
With Janet Waldo, Howard Culver, Eddie Marr, Jay Novello: producer, Gordon
Hughes; scripter, Dwight Hauser; announcer, Dick Cutting; sponsor, Miles
(Alka Seltzer and vitamins); agency, Wade; KNX and Columbia Pacific network
(7); Monday through Friday. 4 [removed], 15 minutes.

This new chapter play must have been predicated on the premise that
newspapermen and sobbies lead a precarious existence.  First episode got
right down to business after the characters were established and promises
copious thrill and heart throb along Columbia's coastal right of way for
those who partake vicariously of the adventures of fourth [removed]

Daytime serials and whodunits not lacking for audience among the housewives,
this one should cut its own groove.  In the role of the sleuthing sobbie is
Janet Waldo, one of the busiest young ladies in radio and well equipped for
the dramatics that will keep her hopping.  Competent support is given by
Eddie Marr, Howard Culver and Jay Novello. Script is earthy to the purpose
and makes no pretense at sophistication.

This show marks the first time buy on CBS by Miles Laboratories, one of
radio's top spenders.  Announcer Dick Cutting assured the listeners that he
wouldn't tire them with a lot of talk about their products, and kept his
word, in the relative sense. Most serials go overboard with sales comeon and
if "Lady of the Press" keeps the plug within reasonable bounds, it will be
different from the others, at least in that respect.  Otherwise, if the
format does't fall apart and lapse into a series of cliched situations, the
client should get a good return for his modest outlay.

------------------------------

Date: Mon, 25 Jun 2001 01:33:34 -0400
From: "Jeff Oransky" <oransky@[removed];
To: <[removed]@[removed];
Subject:  Re: I Love A Mystery

Does anyone why I've seen ILAM particularly The Temple of the Vampires
listed as 20 episodes w/ several missing episodes but in other places I've
seen it listed as 15 episodes. The version I have from Carl Froelich, Jr
has
15 episodes with episodes 9 , 10, and 13 missing. In other places I've seen
it listed as 20 episodes with larger number of missing episodes. The
version
I have susposedly runs from Jan 2 thru Jan 20 1950. I've also heard of this
serial with a recreation of lost episodes mixed in. Any info would be
appreciated ?

Temple of Vampires has 20 total episodes, originally.  9 of these are
missing and had been recreated in the late 1980's.  The following is from my
list of ILAM holdings.  The episodes with an (r) at the end are the
recreated episodes.

ILAM 500102 Temple Of Vampires Ep [removed]
ILAM 500103 Temple Of Vampires Ep [removed]
ILAM 500104 Temple Of Vampires Ep [removed]
ILAM 500105 Temple Of Vampires Ep [removed]
ILAM 500106 Temple Of Vampires Ep [removed]
ILAM 500109 Temple Of Vampires Ep [removed]
ILAM 500110 Temple Of Vampires Ep [removed]
ILAM 500111 Temple of Vampires Ep 08(r).mp3
ILAM 500112 Temple of Vampires Ep 09(r).mp3
ILAM 500113 Temple of Vampires Ep 10(r).mp3
ILAM 500116 Temple of Vampires Ep 11(r).mp3
ILAM 500117 Temple of Vampires Ep 12(r).mp3
ILAM 500118 Temple of Vampires Ep 13(r).mp3
ILAM 500119 Temple of Vampires Ep 14(r).mp3
ILAM 500120 Temple of Vampires Ep 15(r).mp3
ILAM 500123 Temple Of Vampires Ep [removed]
ILAM 500124 Temple Of Vampires Ep [removed]
ILAM 500125 Temple of Vampires Ep 18(r).mp3
ILAM 500126 Temple Of Vampires Ep [removed]
ILAM 500127 Temple Of Vampires Ep [removed]


Jeff Oransky
oransky@[removed]

------------------------------

Date: Mon, 25 Jun 2001 01:33:45 -0400
From: "Stephen A Kallis, Jr." <skallisjr@[removed];
To: [removed]@[removed]
Subject:  Not Guilty!

In speaking of trademarks, and how frequently they have to be used, John
Mayer remarks parenthetically,

(I seem to recall it's seven years, but I could be way off; no doubt
Mr. Kallis or some other real lawyer in this group will correct me)

I am not now, nor never have been, a lawyer!

That having been said, I know that once one is granted use of a
trademark, it has to be applied to some product for sale within six
months or it will be considered "abandoned."  I don't recall how long,
once the trademark's been established, it has to be "inactive" before it
goes paws up.

Stephen A. Kallis, Jr.

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End of [removed] Digest V01 Issue #203
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